The Collection
Certified diamond jewellery — rings, necklaces, bangles & earrings, hand-set by our karigars on Lawrence Road, Amritsar.
This matched pair of bangles is set edge to edge with round brilliant diamonds, so the sparkle runs unbroken all the way around the wrist. Each stone is pavé-set into 18k white gold, keeping the metal all but invisible beneath the stones. Worn together they catch the light from every angle, whether you're raising a toast or dancing until midnight. The pair sits close to the wrist for a streamlined, modern silhouette rather than a heavy stack. It's the kind of piece that looks equally at home under a chandelier or in daylight photographs, which is exactly why it's requested so often for evening and festive occasions.
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Shaped like classic paisley drops, these earrings carry natural emeralds cradled inside a frame of pavé diamonds. The paisley motif is a deliberate nod to traditional Indian jewellery design, reworked here in 18k gold for a lighter, more wearable drop. Light plays differently across the diamond edge and the deep green centre, giving the earrings a two-tone shimmer as they move. They sit at a comfortable mid-length, so they show beautifully with an updo without overwhelming the neckline. A dependable choice for festive gatherings and parties where you want colour without going overboard.
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These danglers run long and lean, tapering from a diamond-set top down to a single emerald drop at the base. The diamonds are prong-set so more light reaches each stone, and the emerald swings gently as you move, catching the eye without needing to be flashy. Because the design narrows toward the bottom, the earrings elongate the neckline rather than crowding it. They're built for evening wear — the kind of piece that looks its best under warm light, with hair swept back to let the full length show.
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A polished gold choker built around a central cluster of rubies and diamonds, this piece sits high and close to the throat in the classic choker silhouette. The ruby cluster anchors the design, with diamonds fanning outward to soften the transition into plain gold. It reads formal without tipping into overly ornate, which is why it works equally well for a wedding function or a festive evening out. The gold is left polished rather than textured, so the stones stay the clear focal point. Pairs naturally with a simple sari or lehenga where the neckline is meant to do the talking.
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This cocktail ring takes the shape of an open flower, its petals hand-set with a mix of rubies, sapphires and uncut diamonds rather than a single repeated stone. That mix is what gives it depth — no two petals catch the light quite the same way. The uncut diamonds add texture against the smoother-cut coloured stones, a detail that only really shows up close. It sits fairly high off the finger, so it's built to be noticed rather than worn as an everyday band. Best saved for cocktail hours and festive evenings where a statement ring has room to be the centre of attention.
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Baguette-cut diamonds fan out here like petals around a ruby-lined centre, giving the ring a clean, architectural take on a floral motif. The straight lines of the baguettes contrast nicely with the round brilliants filling in between them, so the design doesn't read as too rigid or too soft either way. It's a ring that photographs well from directly above, which is part of why it's become a cocktail-wear favourite. The ruby centre keeps just enough warmth in an otherwise mostly-white design. A good pick if you want a statement ring that still feels considered rather than loud.
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A deep, saturated ruby sits at the heart of this ring, held inside not one but two halos of brilliant-cut diamonds. The double halo does a lot of work visually — it makes the central stone look larger than it is and adds a ring of movement around it. Because the ruby is a natural stone, its colour has the kind of depth that's hard to replicate, especially under indoor lighting. This is a ring that's meant to be seen at a distance across a room, which makes it a natural fit for cocktail parties and evening celebrations. Comfortable enough to wear for a full evening without the setting catching on clothing.
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Blue meenakari enamel forms the base of this ring, with diamond clusters worked into the sculpted floral pattern on top. Meenakari is a slow, hand-painted enamelling technique, and the colour here is fired directly onto the gold rather than layered separately — it won't chip or fade the way cheaper enamel work can. The diamonds are placed to catch light against the flat colour of the enamel, so the ring reads as both textured and sparkling depending on the angle. It leans more festive than everyday, pairing naturally with traditional outfits where blue or jewel tones are already part of the palette.
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This dome ring builds up in layers of micro-pavé diamonds, all converging on a single emerald set dead centre. The dome shape gives it real presence on the hand without the ring feeling bulky, since the pavé work keeps the surface light rather than solid. Micro-pavé takes considerably more setting time than standard pavé because the stones are smaller and packed tighter, which is part of what gives the surface its dense sparkle. The emerald anchors the whole piece with a single point of colour. A strong choice for party wear when you want one ring to do the work of a whole hand of jewellery.
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Rubies and white diamonds alternate across this broad band, set using a combination of channel and pavé techniques so the stones sit flush and secure rather than raised. That flush setting is deliberate — it means the band doesn't snag on fabric or hair, which makes it genuinely wearable day to day and not just for special occasions. The alternating colour pattern keeps the eye moving around the band rather than settling on one point. It's substantial enough to hold its own at a party but low-profile enough that you could reasonably wear it to work the next morning.
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Rather than a straight band, this ring curves in a single sculptural wave, entirely micro-pavé set with diamonds along its length. The wave shape means the ring catches light differently depending on which way your hand is turned, so it never looks quite static. Because the setting is micro-pavé rather than larger individual stones, the surface reads as continuous sparkle rather than a row of separate diamonds. It's slim enough to wear alone or stack with a plainer band on the same finger. Equally suited to a regular day and a proper evening out, which is part of its appeal.
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These studs fan outward from the earlobe in a half-circle of channel-set rubies, edged with a border of white diamonds. Channel setting holds each ruby tightly between two metal walls, which gives the fan shape its clean, unbroken edge rather than individual prongs interrupting the line. The diamond border does the job of framing the rubies without competing with them for attention. Because they sit close to the ear rather than dangling, they work well under a dupatta or veil without getting tangled. A dependable studs option for festive days that call for something more finished than plain gold.
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Oval rubies are linked one after another here, each surrounded by its own halo of diamonds, running the full length of the bracelet in warm gold. The repeated halo pattern gives it rhythm — your eye moves link to link rather than landing on one central stone. Natural rubies vary slightly in tone from one to the next, and that's left visible rather than colour-matched into uniformity, which is part of what gives the bracelet its handmade character. It sits flat and comfortable against the wrist rather than sitting proud. Good for festive occasions and parties where a bracelet needs to hold its own next to other jewellery.
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Round brilliant diamonds spray outward from a central point in this ring, prong-set so each stone is raised just enough to catch independent light. The open floral arrangement leaves negative space between the stones rather than packing them edge to edge, which keeps the ring from feeling heavy despite its size. Set in white gold, the metal recedes and lets the diamonds read as pure sparkle without any warm undertone competing for attention. It's built for cocktail hours and evening events — the kind of ring that looks its best from across a dimly lit room.
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A deep blue natural sapphire sits at the centre of this ring, surrounded by a crown of diamonds in a classic halo setting. The halo does double duty — it makes the sapphire appear larger and adds brilliance around a stone that, being a natural sapphire, already carries real depth of colour. This is a design that's been chosen often for engagements, where a coloured centre stone is wanted instead of a plain diamond solitaire, though it wears just as well for a formal evening. Set in warm gold, the blue reads richer than it would against white metal.
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These earrings take a dramatic wing shape, channel-set with rubies along the sweep and tipped with diamonds at the point. The wing silhouette is bolder than a standard drop earring, extending outward rather than just down, so they're designed to be seen in profile as much as head-on. Channel setting keeps the rubies flush and secure along the curve of the wing. Because of their size and shape, they're best suited to occasions where your hair is styled away from the face — festive functions and parties where the earrings are meant to be a visible part of the look.
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This broad bracelet combines two very different textures — pavé-set pink sapphires alongside uncut polki diamonds — in the same warm gold band. Polki is uncut, unfaceted diamond, so it has a softer, more mirror-like glint compared to the more precise sparkle of the faceted pink sapphires next to it. Putting both in one piece is a fairly modern styling choice, blending a traditional stone with a more contemporary pink sapphire palette. It's a substantial piece meant to be worn solo rather than stacked, ideal for festive and party occasions where you want colour and texture both.
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Two peacocks in blue enamel meet nose to nose on this hinged kada, their feathers picked out in rose-cut diamonds. The hinge mechanism lets it open and close around the wrist rather than needing to slide over the hand, which matters given how substantial this piece is. Enamelling on a men's kada is a traditional technique that's become harder to find done well, since it requires firing colour directly onto gold without disturbing the diamond settings nearby. Made for festive and bridal occasions where a groom's or father's jewellery needs real presence on the wrist.
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Diamond clusters run end to end around this broad gold bangle, packed close enough that very little bare metal shows between them. Cluster setting groups several smaller stones together to read as one larger area of sparkle, which is a practical way to achieve a fuller look without the cost of larger individual diamonds. The bangle has real weight and presence on the wrist, the kind of piece that's felt as well as seen. A strong choice for festive wear when you want one bangle to anchor the whole hand rather than building a stack.
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This necklace scallops gracefully across the collarbone in rose gold, prong and pavé set with diamonds, with matching drops completing the set. Rose gold is a warmer, pinkish alloy compared to standard yellow or white gold, and it photographs particularly well against most skin tones, which is part of why it's become popular for reception wear. The scalloped shape follows the natural curve of the neckline rather than sitting as a straight line, so it drapes rather than sits rigid. Understated enough for evening wear beyond just the reception itself.
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A fringe of diamonds falls from this collar necklace, each strand finished with a single blue sapphire drop at the end. Fringe settings like this rely on movement — the strands aren't rigid, so they shift slightly as you walk or turn your head, catching light unevenly rather than all at once. Set in white gold, the diamonds stay bright while the sapphire drops provide the only colour in an otherwise monochrome piece. Designed with reception wear in mind, where the necklace needs to photograph well under both daylight and evening lighting.
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This is a full bib-style choker, a wide plate of diamonds set with natural sapphires scattered through the design rather than confined to a single centre stone. The bib construction covers more of the upper chest than a typical choker, giving it the scale expected of a genuine bridal piece. Natural sapphires bring real depth of blue that stays consistent under any lighting, unlike some treated stones that shift colour indoors versus out. Built specifically with bridal and reception wear in mind, where the neckline is often the focal point of the entire outfit.
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A sculptural diamond collar shapes itself into a pair of wings on this necklace, finished with emerald accents worked along the sweep. Diamond wing motifs are less traditional than a straight collar, giving the design more movement and asymmetry than a typical bib necklace. The emeralds are placed sparingly rather than throughout, so they read as deliberate accents rather than a competing colour story. Set in white gold, the whole piece stays cool-toned and formal. Built for bridal and reception wear where a more sculptural, modern necklace shape is preferred over a traditional bib.
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Emerald, sapphire and ruby swirl together in a floral pattern around a diamond centre in these earrings, each colour calibré-cut to fit its petal precisely. Calibré cutting shapes each coloured stone to an exact size and outline before setting, which is more labour-intensive than using pre-cut standard stones but gives the floral pattern its clean, seamless edges. Three colours in one small earring is a bold combination, balanced here by the single diamond centre holding everything together. A cocktail and festive-wear pick for outfits that already lean toward jewel tones.
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Three graduating emeralds run up the centre of this openwork gold bangle, framed on either side by a lattice of pavé diamonds. The openwork lattice keeps the bangle visually lighter than a solid band of the same width, letting light pass through the design rather than just reflecting off a flat surface. Grading the three emeralds by size, largest at the centre, draws the eye naturally toward the middle of the bangle first. Prong-set rather than bezel-set, the emeralds sit slightly raised for extra depth. Suited to festive and party occasions where a wide bangle needs real visual interest.
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Clusters of blue sapphires gather around a bezel-set diamond centre in these studs, each cluster packed close enough to read as a single field of colour. Bezel-setting the central diamond keeps it flush and protected, which matters for a stud earring worn close to the ear where it can catch on hair or fabric. The surrounding sapphires are smaller and more numerous rather than fewer larger stones, giving the cluster texture instead of flat colour. A dependable evening and party-wear stud when you want blue in the mix without a full sapphire statement piece.
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Three domes of rose-cut, uncut diamonds meet at a single point on this ring, each dome edged with its own halo of round brilliants. Rose-cut diamonds are flat on the bottom and faceted on top, giving them a softer, more antique glint compared to the sharper sparkle of standard brilliant cuts. Repeating that cut three times across connected domes is an unusual, architectural take on a cocktail ring rather than a single large centre stone. The halo trim around each dome adds definition without overwhelming the rose-cut texture underneath. Built for cocktail hours and festive evenings where the ring is meant to be the conversation piece.
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Cushion-cut diamonds are bezel-set across this choker, with a fringe cascading down from the lower edge for movement. Cushion cuts have rounded corners and larger facets than a standard round brilliant, giving each stone a softer, slightly vintage-leaning sparkle. The fringe isn't rigid — individual diamond drops hang loosely enough to shift as you move, adding motion to what would otherwise be a fixed, formal choker. Scaled for a genuine bridal or reception moment, this is a piece built to be the centrepiece of the entire look rather than one part of it.
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A scalloped ring of emerald petals frames a rose-cut diamond centre in these earrings, the petal-set stones curving around in an unbroken floral outline. Petal setting shapes each emerald individually to follow the flower's curve, rather than using uniform round stones that would leave visible gaps at the edge. The rose-cut diamond at the centre adds a softer glint than a brilliant-cut stone would, keeping the whole earring from feeling too sharp or clinical. A festive and party-wear earring with enough detail to wear with minimal other jewellery.
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